Visual document of REM's 'Green' world tour, which saw the band make the transition from college radio darlings to the biggest 'alternative' rock band in the world. Each song is treated in a distinct manner, from the mismatching of sound and image during 'Turn You Inside Out', through the rollercoaster layered montage of 'It's The End of the World As We Know It', to the fetishising slo-mo black and white close ups of Pete Buck's guitar on 'The One I Love.